PROGRAMA DE LIMBA ENGLEZA PENTRU DEFINITIVAT – LITERATURA

PROGRAMA DE LIMBA ENGLEZA PENTRU DEFINITIVAT – LITERATURA

Texte literare, contexte culturale şi predarea lor

I. Obiective /// OBJECTIVES

Candidaţii vor dovedi capacitatea de :

● a înţelege şi analiza un text literar la prima vedere prin utilizarea corectă a termenilor şi conceptelor, noţiunilor de teorie şi critică literară prin care un text se plasează în context istoric şi cultural
● a conştientiza şi transmite atitudini culturale (cultural awareness)
● a adecva predarea termenilor şi a conceptelor de teorie şi critică literară la diverse tipuri de clase
● a aborda temele generale de mai jos cu referire la operele incluse în bibliografie.

II. Teme generale /// GENERAL THEMES

1). Power, identity, love in Shakespeare’s plays and sonnets
2). Enlightenment ideas reflected in the English novel
3). The Victorian character: values in action
4). Approaches to narrative and character in British and American literature -- the realist, modernist and postmodernist paradigms.
5). Values, symbols and myths in British and American literature

III. Termeni , concepte, principii de compozitie /// TERMS, CONCEPTS, PRINCIPLES OF COMPOSITION

3.1.Termeni şi concepte în plasarea textului în context istoric şi cultural /// TERMS AND CONCEPTS FOR PLACING THE TEXT IN ITS HISTORICAL AND CULTURAL CONTEXT:

3.1.1. curente literare: /// LITERARY CURRENTS;

● iluminism /// ENLIGHTENMENT;

● romantism /// ROMANTICISM;

● realism /// REALISM;

● realism magic /// MAGIC REALISM;

● naturalism /// NATURALISM;

● modernism /// MODERNISM;

● existenţialism /// EXISTENTIALISM;

● postmodernism /// POSTMODERNISM;

3.1.2. genuri literare /// LITERARY GENRES

● poezie /// POETRY;

● dramă /// DRAMA;

● nuvelă /// NOVELLA;

● roman /// NOVEL;

● non-ficţiune /// NON-FICTION;

3.1.3. principii de compoziţie /// PEINCIPLES OF COMPOSITION

● subiect /// SUBJECT;

● temă /// THEME;

● voce poetică /// POETIC VOICE;

● atmosferă /// ATMOSPHERE;

● tonalitate /// TONALITY;

● procedee stilistice /// STYLISTIC DEVICES;

* epitet /// EPITHET;
* metaforă /// METAPHOR;
* metonimie /// METONIMY;
* alegorie /// ALLEGORY;
* simbol /// SYMBOL;

● modalităţi narative /// NARRATIVE TECHNIQUES

* naraţiunea obiectivă /// OBJECTIVE NARRATION;
* naratiunea subiectivă /// SUBJECTIVE NARRATION;
* omniscienţa totală /// TOTAL OMNISCIENCE;
* omniscienta partială /// PARTIAL OMNISCIENCE;
* impersonalitate /// IMPERSONALITY;
* construirea intrigii /// PLOT BUILDING;

● tipologia personajelor /// CHARACTERS’ TIPOLOGY;

● motivarea /// MOTIVATION

* motivarea socială /// SOCIAL MOTIVATION;
* motivarea psihologică /// PSYCHOLOGICAL MOTIVATION;

● modalităţile retorice ale povestirii /// RHETORICAL WAYS OF STORY TELLING

* timp /// TIME;
* spaţiu /// SPACE;
* cauzalitate /// CAUSALITY;

● structuri expresive dramatice /// DRAMA’S EXPESSIVE STRUCTURES

* structurile tragediei /// STRUCTURES OF TRAGEDIES;
* structurile comediei /// STRUCTURES OF COMEDIES;
* structurile melodramei /// STRUCTURES OF MELODRAMAS;
* structurile teatrului absurdului /// STRUCTURES OF THE THEATRE OF THE ABSURD

3.1.4. perspective şi tonalităţi /// PERSPECTIVES AND TONALITIES

● tragism /// TRAGISM;
● patetism /// PATHETISM;
● comic /// COMIC;
● ludic /// ??? ...................
● ridicol /// RIDICULOUS;
● burlesc /// BURLESQUE;
● grotesc /// GROTESQUE;
● sublim /// SUBLIME;

3.1.5. intenţionalitate şi limbaj /// INTENTIONALITY AND LANGUAGE

* vocabularul poetic /// POETIC LANGUAGE


IV. Bibliografie /// BIBLIOGRAPHY

4.1. Bibliografie literara obligatorie /// COMPULSORY LITERARY BIBLIOGRAPHY

4.1.1. Literatura britanică /// BRITISH LITERATURE

1). Austen, Jane: /// 1.1. Pride and Prejudice /// or /// 1.2. Emma

2). Bronte, Emily: /// 2.1. Wuthering Heights ///

3). Carroll, Lewis: /// 3.1. Alice’s Adventures in Wonderland ///

4). Conrad, Joseph: 4.1. /// Heart of Darkness /// sau /// 4.2. Lord Jim ///

5). Defoe, Daniel: /// 5.1. Robinson Crusoe ///

6). Dickens, Charles: 6.1. Great Expectations /// sau /// 6.2. Oliver Twist ///

7). Forster, E. M.: /// 7.1. A Passage to India /// sau /// 7.2. A Room With a View ///

8). Fowles, John: /// 8.1. The French Lieutenant’s Woman /// sau /// 8.2. The Magus ///

9). Golding, William: /// 9.1. Lord of the Flies ///

10). Hardy, Thomas: /// 10.1. Tess of the D’Urbervilles /// sau /// 10.2. Jude the Obscure ///

11). James, Henry: /// 11.1. The Portrait of a Lady /// sau /// 11.1. The Ambassadors ///

12). Joyce, James: /// 12.1. A Portrait of the Artist as a Young Man /// sau /// 12.2. Dubliners ///

13). Shakespeare, William: /// 13.1. Sonnet XVIII; /// 13.2. Sonnet CXXX; /// 13.3. Romeo and Juliet; ///

13.4. Julius Caesar; /// 13.5. Hamlet; /// 13.6. A Midsummer Night’s Dream ///

14). Swift, Jonathan: /// 14.1. Gulliver’s Travels ///

15). Woolf, Virginia: /// 15.1. Mrs. Dalloway /// sau /// 15.2. To the Lighthouse ///

4.1.2. Literatura americană /// AMERICAN LITERATURE

16). Faulkner, William: /// 16.1. Absalom, Absalom /// sau /// 16.2. The Sound and The Fury ///

17). Fitzgerald, F. Scott: /// 17.1. The Great Gatsby ///

18). Hawthorne, Nathaniel: /// 18.1. The Scarlet Letter ///

19). Hemingway, Ernest: /// 19.1. The Old Man and the Sea; /// 19.2. The Short Happy Life of Francis Macomber ///

20). Melville, Herman: /// 20.1. Moby Dick ///

21). Poe, Edgar Allan: /// 21.1. The Tell-Tale Heart; /// 21.2. The Fall of the House of Usher ///

22). Pynchon, Thomas: /// 22.1. The Crying of Lot 49 ///

23). Twain, Mark: /// 23.1. Huckleberry Finn ///

24). Vonnegut, Kurt: /// 24.1. Slaughterhouse 5 ///

4.2. Bibliografie critică obligatorie /// COMPULSORY CRTITICAL BIBLIOGRAPHY

1). Elliott, E. (gen. ed.). 1988: The Columbia Literary History of the Unite States, NewYork: ColumbiaUniversity Press.

2). Sanders, A. 1994: The Short Oxford History of English History. Oxford: Clarrendon Press [sau versiunea în limba română, Scurtă Istorie Oxford a Literaturii Engleze, trad. Mihaela Irimia, Bucureşti: Editura Univers, 1997]

3). Stevenson, R. 1986. The British Novel Since the Thirties. London: B. T. Batsford [sau Iaşi: Institutul European, 1993].

4.3. Bibliografie facultativă /// OPTIONAL BIBLIOGRAPHY

* Propunerile Universităţii din Bucureşti /// PROPOSALS FROM THE UNIVERSITY OF BUCHAREST

1). Anghelescu Irimia, Mihaela : Dicţionar de civilizaţie britanica. Bucuresti : Humanitas,1999

2). Bottez, Monica: Aspects of the Victorian Novel: Recurrent Images in Dickens’s Work Bucuresti: T.U.B., 1985

3). ------------------- : Motley Landscapes: Studies in Postwar American Fiction. Bucureşti, Editura Universităţii Bucureşti(E.U.B.), 1997.

4). Draga, Maria-Sabina: Conditia postmoderna:spre o estetica a identitatii culturale, Bucuresti: E.U.B.,2003.

5). Dumitriu, Geta: American Literature: the Nineteenth Century. Bucuresti:T.U.B., 1985.

6). Mihaila, Rodica: Spatii ale realului in proza americana : intre autobiografie si evanghelia postmoderna. Bucuresti: Concordia,2000.

7). Nicolaescu, Mădălina: Meanings of Violence in Shakespeare’s Plays , Bucuresti : E.U.B.,2002/2005.

8). Peiu, Anca: Trecutul timpului perfect : de la Thomas Mann la W. Faulkner, Bucuresti : E.U.B.,2001.

9). Lidia Vianu, The Desperado Age, Bucureşti: E.U.B., 2004; revizuit 2006 pentru www.liternet.ro ((http://editura.liternet.ro/click.php?id=179&ver=pdf)

10). -------------- : British Desperadoes, Bucuresti :All, 1999; revizuit 2006 pentru www.liternet.ro (http://editura.liternet.ro/click.php?id=153&ver=pdf)

11). ------------- : T.S. Eliot-An Author for All Seasons, E.U.B., 2002

12). Zirra, Ioana: Contributions of the British19th Century – the Victorian Age – to the History of Literature and Ideas, EUB, 2001/2003